Écho des études romanes, 2006 (vol. 2), issue 2

Remarques sur le pretérito perfeito composto en portugaisFrench

Notes on the Portuguese pretérito perfeito composto

Jaromír TLÁSKAL

Écho des études romanes 2006, 2(2):5-12 | DOI: 10.32725/eer.2006.015  

Based on the semantic difference between the compound form in French (j'ai parlé) and in Portuguese (tenho falado), the research seeks to delimit contextual criteria for the use of the compound preterite perfect (PPC) in contemporary Portuguese. Since the PPC conveys two distinct values (iterativity and duration), we examined other linguistic means capable of indicating the concrete value that the PPC can have in a given context. This is how we analysed certain types of verb, certain semantic functions (especially the circumstantial complement) and their contextual relocations. We came to the conclusion that the indication of the concrete value depends,...

Composition indigène et confixation : deux procédés concurrents en italien contemporainFrench

Composizione popolare e confissazione: due procedimenti concorrenti nell'italiano contemporaneo

Jan RADIMSKÝ

Écho des études romanes 2006, 2(2):13-25 | DOI: 10.32725/eer.2006.016  

Il fenomeno della composizione di parole nelle lingue romanze rappresenta principalmente due procedimenti diversi : la composizione popolare e la confissazione, chiamata anche composizione dotta. Tradizionalmente, i due procedimenti vengono distinti secondo una serie di criteri, tra cui l'origine dei costituenti del composto è il più importante. Però l'analisi di questi criteri ci mostra che i due procedimenti vanno distinti piuttosto secondo la loro struttura morfosintattica interna ; in più, il criterio tradizionale dell'autonomia limitata dei confissi cede il passo al concetto dell'« autonomia di funzionamento »,...

Il contatto interlinguistico : tra bilinguismo e diglossia in ItaliaItalian

Interlingual contact: between bilingualism and diglossia in Italy

Ingeborga BESZTERDA, Beata SZPINGIER

Écho des études romanes 2006, 2(2):27-36 | DOI: 10.32725/eer.2006.017  

The Italian linguistic repertoire becomes more and more articulate and confirms that it is evolving not towards the substitution of the standard for dialects, but by adding Italian to the pre-existing possibilities dialectal expressive possibilities, with the result of an enrichment of the multilingual reality.

Par. XI, 58-62 : fonti scritturali e nuove ipotesi interpretativeItalian

Par. XI, 58-62: scriptural sources and new interpretative hypotheses

Matteo LEONARDI

Écho des études romanes 2006, 2(2):37-43 | DOI: 10.32725/eer.2006.018  

The article identifies some possible scriptural sources in Canto XI of Dante Alighieri's Paradiso, particularly vv. 58-62. In the light of these references (especially the tenth chapter of Matthew's Gospel, which contains the praeceptum prohibitivum in vv. 9-10), the expression coram patre in v. 62 could mean ‘before God the Father’, alluding to Francis' divine adoption and his progressive assimilation to Christ as the new master (v. 85). Matthew's passage would also explain other controversial images in the Canticle such as Francis' war on his father (v. 58) or the comparison of poverty as one to whom, “come a la morte, /...

Le personnage racinien - élément intertextuel, tel que l’affirment les préfaces des tragédiesFrench

The Racinian character - an intertextual element, as stated in the prefaces to the tragedies

Nicoleta Loredana MOROSAN

Écho des études romanes 2006, 2(2):45-55 | DOI: 10.32725/eer.2006.019  

The essence of the tragedies in the XVII-th century French classicism consisted of both following in the footsteps of the Ancients and distancing themselves from them, in the attempt to accomplish formal perfection. Jean Racine's work is illustrative for this aesthetic credo. This article is structured on two levels. The former presents the institutionalised context where Racine writes, with the constraints this framework entails for his creative process, while the latter analyses Racine's allegiance and transgression to the general principles presiding over the coming into being of tragic characters, as stated by the writer himself in the prefaces...

Le réalisme nouveau et l’esthétique engagée de l’après-guerre français et italienFrench

New realism and angaged aesthetics in post-war France and Italy

Joanna TEKLIK

Écho des études romanes 2006, 2(2):57-70 | DOI: 10.32725/eer.2006.020  

Realistic aesthetics, with its totalisating vocation, constitutes an ideal support of the transcription of events connected with actuality. The novel based on the principle of verosimility, the one that represents reality, organises and interpretes it, can become, more than any other literary genre, the expression of the author's ideas, transmitted by the narrator or the characters. This means that the author is always engaged in a way, because their story presents an oriented vision of the world, situated and concrete, determinating at the same time the construction of the protagonists, as well as the employed narrative techniques. Thus, the writer...

La scrittura udibile - alcune osservazioni sul romanzo Voci di Dacia MarainiItalian

Audible writing - some observations regarding the novel Voci by Dacia Maraini

Barbara KORNACKA

Écho des études romanes 2006, 2(2):71-87 | DOI: 10.32725/eer.2006.021  

This article, which is devoted to Dacia Maraini's novel Voci, analyses the sound and auditory aspect of a literary text. A special advantage and meaning of the experiences of the sense of hearing manifests itself in the main character's unique experience of reality by means of the audible : voices, noises and sounds. Presence or absence of the voice and of the body which produces them in time and space, build a metaphorical structure that stretches between life and death in the novel. The sense of hearing is also a cognitive instrument of the surrounding reality which emerges through the voices. Getting to know the truth becomes possible only...

La normatividad y pluralidad de normas en españolSpanish

The normativity and plurality of norms in Spanish

Jana VESELÁ

Écho des études romanes 2006, 2(2):89-91  

La communication ironique dans le Roman comique de Paul Scarron. Étude comparative avec Don Quichotte de CervantesFrench

Ironic communication in Paul Scarron's Le Roman comique. Comparative study with Cervantes' Don Quixote

Dagmar PICHOVÁ

Écho des études romanes 2006, 2(2):92-93  

Livres parusSpanish

Écho des études romanes 2006, 2(2):100-102  

ColloquesFrench

Écho des études romanes 2006, 2(2):103-107  

Jean-Michel Adam : La linguistique textuelle. Introduction à l’analyse textuelle des discoursFrench

Ondřej PEŠEK

Écho des études romanes 2006, 2(2):94-96  

Paul Teyssier : Comprendre les langues romanes. Du français à l’espagnol, au portugais, à l’italien & au roumain. Méthode d’intercompréhensionFrench

Jacek PLECINSKI

Écho des études romanes 2006, 2(2):97-99